Piano lessons

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Efficient practice

Some necessary tips to optimize the learning process of efficient piano practice.
Every successful pianist has developed a practice routine.
Sitting on the piano for eight hours a day does not guarantee to achieve the goal of being a good pianist. The goal is achieved through an efficient practice that focuses on the right tools.

The different musical aspects must be practiced in all the tonalities. It is useless to be a specialist in C major and to ignore other tonalities that can be more difficult. This includes transposing melodies, patterns, chords, songs in all tones.
At first, this may be tedious but it is the fastest and most effective way to be talented.

The best advice I can give you is to start using the transposition methodology specifically for the chords and then do it in melodies.
It can be very useful to do it with simple compositions that we already know how to practice in other tonalities.
The ability to play a song in any key even if they are simple things allows us the possibility of interacting more comfortably with other instrumentalists and even with the singers where we are commonly asked to play in more acute or more serious tones.

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Something that happened to me a long time ago was the possibility of playing with a good guitarist but as leader of the band, he felt comfortable playing songs in the key of LA. It was a tone that caused me difficulties and I felt that my abilities were limited in a substantial way.

Practicing chords in all tones in ascending fourth cycles is the best start. We will discover that the reaction time in the execution of each one is different. Those in which we take the longest time to execute them are the ones that offer us the most difficulty. The second step is to repeat but only in those difficult tones. The strategy focuses on equalizing response time in all contexts. It does not matter how slow we are, but we must be equally slow for all shades. Let us be aware and honest with ourselves what are the weak points to overcome them.

Another fundamental element to take into account is that to acquire SPEED and VIRTUOSISMO does not depend on quickly uploading time. The speed comes from the precision and precision is acquired naturally starting to play slowly. This is an efficient practice of the Piano. As we practice each element with different supports, rhythmic changes, legato or stacatto we will see how the fingers begin to acquire independence with respect to the rational learning process. It is also essential that each new tool that we learn efficiently can be incorporated into the context of a song or topic that we are going to practice.

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The fundamental premise is that the brain’s eyes and fingers function in an oiled and synchronized way in such a way that we feel comfortable when playing the piano. The mind does not have the time to think and the fingers must feel safe where they go.
Another element to keep in mind is to take care of unnecessary muscular tension when they practice and when they play a song or repertoire. I know pianists who had to leave the piano by medical prescription because of physical problems. It is important to breathe normally, deeply and through the nose. Smiling while we play can be a help to relieve tensions. For more information about Jazz Piano lesson visit this website.

 

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